This is an article I have been wanting to write for a long time and it was recently that I felt very secure about this method. To my own workflow and needs it seems nearly perfect. However, before we get to how I do this, I want to make clear there has been many trials […]
Today I am very happy to share with everyone some beautiful soundscapes from the Swedish Forest. These recordings were originally done in April of 2018 for the film Ghabe which, along with months of dedication to the sound design, ended up awarding us with the European Cinematography Awards of Best Sound. The album is available […]
Being a natural environment enthusiast, a field recordist and a sound designer it has been great to research for this article. There I mention Chris Watson approach to build a soundscape and talk a little about subjective experiences. Check it out here.
Recently my name was short listed amongst incredible field recordings on SoundFly, an audio educational website with great content that is definitely worth following (I’m still stunned by this!!) What Patrick McGuire writes is spot on: Pons considers her work as a way to relate to and understand elements of the world around her. After some years […]
*purchase the album at any price you’d like – half of the profit will be donated to Iracambi* This album combines my interest for field recording and nature. A post made months ago around my stay in Brazil mentions Iracambi, the NGO where I stayed three weeks listening and recording how much I wanted in […]
The Atlantic Forest domain stretches from the northeastern to the southern regions of Brazil and northern Argentina and southeastern Paraguay. In the northeastern part of Brazil it occupies a thin coastal strip not exceeding 40 miles in width, while in the south it extends from the coast to as far as 200 miles inland. It harbors around 2,200 species […]
“So did you record any nice sounds?” “Yes, I caught some trees creaking, that was quite nice!” “Your microphones must be very sensitive, right?” “You mean because I got the trees creaking?” “Yes.” “But you can hear for yourself those trees over there creaking right now.” “Ah!….” I have been trying to force the principle of […]
Having to record sound on a daily basis as a job, I get many new impressions and thoughts. This is a series that will be a way of sharing those. Many of the posts will be very short. Some might also be from other authors. Feel free to leave a comment and contribute with your […]
A few months ago Paul Virostek contacted me to ask a few questions about my field recording practice and launch it as an interview on his second series of “A month of field recordists”. It was (really) an honour, and a surprise, since his blog – and his books – have been what inspired me […]
In February, Paulo Dantas, a composer, improviser and field recordist, visited Stockholm as a guest composer at Elektronmusik Studion, to master two new music releases (Eva Mitocondrial, by Insignificanto, and Facies, by Bella) and to make some critical listening. We got the opportunity to meet and he very kindly agreed to share insights on listening, field […]
